Former Resident Artist
I had the good fortune to be an artist at the Harwood Art Center from 1996 – 2005. It was wonderful being in a community of artists that were so creative and supportive of each other. Having just arrived in NM in ’96, it was particularly meaningful for me because I did not know anyone in this state, and it enabled me to create immediate friendships with like minded people. I am grateful to have had the opportunity to work at Harwood and believe that the [Harwood] Art Center is vital to the neighboring community.
Susan Klebanoff is an internationally recognized contemporary tapestry artist who lives and works in Albuquerque. She kept a studio at Harwood Art Center from 1996 – 2005.
I seem to have known about Harwood Art Center since I moved to Albuquerque in 1996. I have always enjoyed seeing the exhibits there and visiting the studios when they are open to the public. I have taken a couple of classes there, and this last year I have taught a class there myself. This last spring I also had an exhibit of my wire sculptures and wall works at Harwood. I am pleased to contribute work which supports the work of the [Harwood] Art Center.
Current Studio Artist
Harwood Art Center is my sanctuary and my connection to the community. It’s unusual and amazing to have these opposing forces satisfied in one place. The Harwood community enriches my life because of studio artists, staff, teachers, and exhibits. Through classes at the Harwood Art Center and mentoring from influential New Mexico artists, I began painting in 2005. My paintings have been included in exhibits at the Albuquerque Museum, the Museum of Fine Arts in Santa Fe, Mariposa Gallery in Albuquerque, and Patina Gallery, in Santa Fe.
Former Director of Harwood
When I started the building was primarily a studio center for artists with very little public programming. The only staff members were the Building Manager Marshall Kovitz and me, and we were both part-time. I worked to expand the reach of Harwood through lots more exhibitions, classes and events, and the Harwood Summer Arts Camp. I focused on community involvement and marketing, which transformed Harwood from a mostly quiet studio center into a public venue that was always buzzing with activity.
I am grateful to the Harwood for launching my career in arts administration over 20 years ago and for serving as the umbrella for 516 ARTS in our first year.
Current Harwood Artist
I have been a Harwood Artist since 2001. Four different spaces, four different lifetimes and across media. Sometimes my studio has been a graphic arts workshop, sometimes a painting studio, sometimes a production pottery shop, but being here is always wonderful. From late nights preparing materials for art students to mornings doing pre-natal yoga while I waited for the older child to be done with his work at Escuela del Sol, it is wonderful to reﬂect on all the art adventures I’ve had over the years at Harwood. The very first night I lived in Albuquerque was spent at a film program at Harwood and from that moment I knew this was an organization I wanted to be involved with. That was 17 years ago and the dream of that first night has blossomed into a reality and a community of which I am proud to be a part!
Former Harwood Artist
I remember when the Harwood was a big empty building and Friedje had recruited a few people from the community to brainstorm about what it might become. The art community was large; studio and gallery spaces were limited. A match was made, and as the space filled up, the vision evolved. Albuquerque United Artists had an office, and held exhibitions during the 1990s. In 2000, I collected burned relics from the Cerro Grande fire.The Harwood had a space available, and though I have always had my own studio (OK, those burned things were sooty), I rented a studio there while I worked on some ideas. Eventually, I had two shows about the fire The Harwood also awarded me an exhibition in 2005. That was a true honor. The place has been part of my life for the entire time it has existed as a “home for art and artists.
Former Studio Artist
I was in Harwood’s very first show called Road To Chaos, organized by Jeff Kruger. My dog, Micro, was also in that show eating 30 hot dogs in a performance piece by Bryan Konefsky. I had two studios at two different times. The most recemt, I used the studio to do serigraphy with my collaborative friend Tom Loeb. LThe first time, I used the studio to make sculpture. Harwood has given me many opportunities to show my own art and curate shows about the work my community, Albuquerque makes. My dog Pablo and I are in and out of Harwood’s doors a lot because I now live in the neighborhood.
Former Harwood Employee
In 1992, I answered a HELP WANTED ad for substitute teachers at Escuela del Sol Montessori. There I met Friedje, who astutely noticed I had some experience in organizing artists and arts organizations. I began searching for interested artists and set out creating art workshops for the community. We soon began offering about 30 workshops, in everything from pinhole photography, drawing, performance art, to ceramics, mask making, video production and more. After this successful summer session, I was offered a managerial position and began to see what could come of the newly minted “Harwood Art Center.” After about one year we had 65 amazing artists in the studios, with a growing waiting list of well over 50 people, a working performance space, dance ﬂoor and darkroom, various gallery spaces, as well as classes just about every night of the week.